Basic Approach of a Poem

In maven of the " grim Lady" sonnets, Shakespeare develops a cause-and-effect relationship between hit the hay and right that is not as clear-cut as it might seem. For one thing, the lovers are free with what the truth really is. There is an documentary truth, and there is the truth of love. The lovers go to bed the objective truth, but they take to lie.

The loudspeaker makes this clear in the start out:

When my love swears that she is make of truth,

I do believe her, though I know she lies. . . . (1-2).

One reason for this agreement on the part of the speaker is because to do otherwise would be to show himself to be un schooled int he ways of the world. Love and lies are therefore like a shot linked, creating a lover's kind of truth which allows such things as long time to be overlooked:

Although she knows my days are past the best,

simply I credit her false-speaking tongue;

On both sides hence is simple truth supprest (6-8).

Wishing to make and maintain a good impression on the beloved is anathema to truth.

However, love creates an illusion of trust, though each lover knows that lies are existence told, that they are telling them as well, and that the lie must be protected for the love to continue:

Oh, love's best habit is in seeming trust,

And age in love loves not to oblige years told:

Therefore I lie with her and she with me,

And in our faults by lies we flattered be (9-12).

Shakespeare was primarily an Elizabethan poet, mea

Shakespeare. . .

put his head and heart to that Elizabethan school which begins with Wyatt and Surrey and includes Spenser, Sidney, the singers and sonneteers, the school from which the rebellious Donne played truant (Rylands 93-94).

ning that he reflected the prevailing poetic conventions of his age and was especially indebted as a poet to Spenser, Marlowe, and Lyly:

further wherefore says she not she is unjust?

Shakespeare's poetry only reflects the beginning of his powers as a poet and dramatist, and after all, his plays are themselves poetic and integrated on metric principles. The poems, and especially the sonnets, have been depicted as mysterious precisely because they do not fit the rules of the sonnet-cycle and cooking stove more widely in terms of subject theme than was common. Shakespeare exemplifies the Renaissance precisely because his intellect ranges so widely and delves into so many areas of human life.

Alden, Raymond Macdonald. Shakespeare. New York: Duffield & Comapny, 1922.

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