Modernism refers to the radical and fulminant shift in the post WWI period of the social and heathenish views of the public, from Victorian realism to a style with a boil down on a profoundly pessimistic picture of a society in chaos. It was brought about by newly developing ideas about how the mind works, by people such as Freud, a shift in politics on issues such as the Great War, and modern industrialisation and beginnings of mass production. This all resulted in a society that for the first time was ambitious the norm views about Christianity and revelation, science and the universe and even globe itself.
While these pressures where part of a universal response to their coetaneous times, T.S Eliot and Virginia Woolf embody their own unique ideas and inspirations in the different ways, by means of and through their individual, and seemingly unstructured, elite forms of art. Both of them push the boundaries of experience through formalist techniques, instead than merely representing an external reality as the wholly means of presenting their ideas.
The writing style of modernism is very disrupted, and in that location is a significant lack of plot and in prescience characterisation, which is prevalent in both Woolfs Mark on the Wall which focuses mainly on an unidentified characters ever switching thoughts, and Eliots The Love claim of J. Alfred Prufrock, which uses structure and language rather than a strong plot to convey the authors thoughts. Instead of the traditionalistic unity and coherence of plot and the cause-and-effect development of the story from there, modernist writers think on the imperfect, ever changing thoughts of the narrator, whose depressing outlook on life generally led to them taking on the confused role of the outsider. This can be seen in Love Song of J. Alfred Prufrock where the...If you want to get a full essay, order it on our website: Ordercustompaper.com
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