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Friday, 5 April 2013

German Cinema and Murnau

German Cinema and Murnau

        

        Murnau made his first appearance as a movie director with The Blue Boy, a film later Oscar Wildes story about a Gainsborough-painting. The expressionist film Nosferatu was his aesthetical breakthrough in Germany, while The Last Laugh attracted the anxiety of Hollywood producers like William Fox. Faust was one of Murnaus last films, shot in Germany. He eventu on the wholey went to America together with his screen writer Carl Mayer and directed Sunrise, an different big success. Friedrich Wilhelm Murnau (1888-1931), better known as F. W. Murnau, is still considered to be one the most talented and prestigious directors of cinema at his time. He is often bracketed with two other bigwig German Filmmakers, Fritz Lang and G.W. Pabst. Murnau studied artistic creation history at the University of Heidelberg and learned about theatre by starting in the acting company of Max Reinhardt.

        Max Reinhardts theater and the expressionist movement had a major impact on the flair of filmmaking that arose in Germany after the First World War. Through his work with Reinhardt, Murnau adapted the expressionistic style to film. Harsh lighting, obscure tv camera angles and the conveyance of extreme angst and anxiety were all aspects of this high bank line and surreal depiction of life. Expressionism placed greater value on emotion than realism, and its effects were often achieved through distortion.

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        Murnaus extensive studies of art history fills his films with striking images that remind viewers of Rembrandt (also an expressionist artist) in the intense range of light and dark of films like Faust, as well as German Romanticism in the knotty outdoor photography of Nosferatu.

        The characters in his films are often overwhelmed by the power of the world around them, overwhelmed by external forces and all of the things that they cant control. However, at the same time they...

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