.

Thursday 26 January 2017

Moral Corruption in The Great Gatsby

Throughout the The Great Gatsby, F. Scott Fitzg seasonld depicts the decaying of friendly and virtuous value through and through his use of symbolism and char exemplifyerization. During the amount of money of novel, symbolism is used as a vehicle of depravity. Fitzgerald illustrates the decaying ethics and morals upheld by those of the era with a wide word habitus of unexpected figures. In Chapter 2, Fitzgerald brings ding and turkey cock to impertinently York so that Nick can refer Toms young woman. While in untested York the three go to Toms flatbed hes bought specific wholey for his affair. At 158th Street the cab stop at one gash in a ache whitened prevention of flat tire houses (Fitzgerald, 32). The use of the word cake places a different idiom on the apartment and makes the commentator analyze it in the form of food. Generally, because a cake has an dinky carriage from the outside with the glass and decorations, the inside of it is completely different. T he apartment building in New York holds up to that symbolism of the vocal cake in the horse sense that from the outside it has a white color, which means morally unblemished, though on inside, its as well furnished so that to fail about was to stumble continually(Fitzgerald, 33). \nIt becomes apparent with the apartment that everything is for appearance and it all has become a façade. During Chapter 3, the many people at Gatsbys party all symbolize the decaying social values that are attempted to be sustained in the summertime of 1922. With all of the drunken debauchery amidst the amusement park of a party, a set of girls in yellow dresses stand out. A pair of stage correspond- who turned out to be the girls in yellow- did a queer act in bard and champagne was served in bigger than finger bowls (Fitzgerald, 51). Having the two girls wear yellow in the novel, Fitzgerald places an emphasis on moral corruption they emanate at Gatsbys party. Their baby act in costume excessive ly shows the literal venee...

No comments:

Post a Comment